The Christmas of Multiple Malfunction

All within the space of a few days …

1. The shaving mirror light. Not the end of the world – the main bathroom light casts enough light to shave by, even if I do have to probe the razor into the deeper crevasses of my rugged features guided by little more than guesswork.

2. The boiler pump. Considerably more tedious: a trickle of warm water into the hot water tank and nothing at all into the radiators. But we have enough electrical heating devices to keep us warm, even if it does mean we can’t move about in a comfortable ambient temperature; rather, nice warm room through sub-arctic hallway into nice warm room again. And it inspired us to work out how to bleed the flat’s ancient and idiosyncratic system of wainscot radiators.

3. The renewed living room leak. Very, very, very, very, very tedious indeed, not least in its sense of timing – first detected by Bonusbarn shortly after midnight on Christmas Day, meaning he never got to see the end of that classic slice of festive cheer, Scarface. Just like in the glory days of a couple of months ago when the builders were battering and clattering in the flat above, thread-like streams of water were trickling down the outer wall of the living room. From previous experience, this means they will also be trickling down the wall of the kitchen in the flat above, but invisibly, behind the plasterboard and newly fitted cupboards. Most baffling of all was that it had rained heavily the previous day (and many times over the last month, of course) and nary a drop; now, out of a cloudless crystal sky, it came. A bit like those horror movies where the walls inexplicably start weeping blood, only in this case it was water. After baffled wails of “why now?” and putting out the buckets and towels, I emailed the flat’s owner in the childish hope that he would read it early on Christmas Day and have the rest of the day spoiled, which is exactly what happened, so there. Rather satisfying was his response: he’s also baffled, and annoyed because he has recently paid off two roofers, arf. My current theory is that the freezing weather had undone something that they did. It leaked again overnight between Christmas and Boxing Day, and is now in full trickle as a result of 24 hours of sleet and rain.

The Daily Bread Bible notes for Christmas Day concentrated, perhaps a little predictably, on the birth of Jesus as recorded in Luke 2. I liked the point they made that Mary, having been so obedient in everything according to the divine plan, might reasonably have asked why she now had to travel 100 miles on donkeyback and give birth in a manger – but, she trusted. Things like this help you trust if you’re open to learning. I hope we’re learning. I think we are.

But apart from that, a lovely Christmas, thank you. The main meal on the 25th was mostly vegetarian, simply because of the large proportions of vegetable: roast potatoes, sweet potatoes and parsnips, plus a very large helping of stuffing provided by Ex Mother in Law in Law, and Delia Smith’s red cabbage and apple recipe, which Delia says feeds four but neglects to add “for a week”. And of course the Christmas pud, set alight with the help of Tesco’s Three Barrels VSOP brandy, which is one price tab up from Tesco Value Brandy and does at least come in a proper brandy-shaped bottle. Then to my parents and now back here again, finally settling into one place so we can do things like call electricians and gas engineers.

Before setting off to my parents we put aside the new DVDs received for Christmas, so that even if we returned to an uninhabitable living room we would still have something to watch as we moved into hotel accommodation / in with friends /whatever. And that, I think, is what we will go and do now.

Avatar

Very little of what follows is a spoiler because you’ll work most of it out for yourself in the first five minutes, leaving you with 2h35m of brain candy to absorb.

Avatar doesn’t have a fresh idea in its pretty little head but its head is very pretty. If you’ve seen Tarzan (fantastic tree-hugging jungle escapades), Dances With Wolves(out-of-town boy goes native), Aliens (bone-headed military with technofetish hardware) and the work of Roger Dean then you’ve pretty well got it – but it joins these well-established dots very nicely, with not a single bad performance and nary an unconvincing special effect. Sigourney Weaver – well, naturally, excellent. The aforesaid hardware will appeal to anyone who grew up on Gerry Anderson. Even the bad guys are a little better rounded than in Aliens – the chief civilian would really rather not massacre innocents if he can possibly help it, and the chief jarhead has a job to do which, okay, he relishes a little too much.

The story really is engagingly naive and would have us forget every example from history of what happens when more and less technologically advanced peoples collide. Even in Dances with Wolves, Dunbar knows he’s only checked the advance temporarily: he and his friends must head west. Anyone who thinks, at the end of this one, that the humans won’t be back in far greater force is a fool. “Nuke the entire site from orbit; it’s the only way to be sure,” Sigourney once sagely uttered in an earlier Cameron movie. Nukes wouldn’t be needed in this case, just masses and masses of weed killer.

Then there’s the whole questionable morality of turning so totally upon your own people. I can understand disagreeing with them to the extent that you go and live somewhere else but a massacre of these proportions just isn’t on. We’ve been told that one check on the power of the colonists is public opinion back home, but when word of this gets back to Earth, surely politicians will be elected on the sole mandate of shipping the weed killer to Pandora. And, fatally, it actually gives a bit of sympathy to the chief jarhead. “How does it feel to betray your own people?” are his not unreasonable dying words.

So, zero advance in science fictional story telling but astonishing advances in the visual medium of telling stories. Even without the 3D, the alien world would inspire awe and the 3D itself isn’t intrusive. I could comfortably wear the 3D specs over my own glasses and everything on screen looks completely natural. There is no gratuitous waving-things-at-camera to remind the audience they’re watching in 3D and you half – but only half – forget it’s there.

Whether a story needs that kind of visual telling is another matter. This one doesn’t. I would love to see Cameron’s Ghosts of the Abyss, which is a factual 3D documentary filmed around the wreck of the Titanic. That would be worth the extra effort. As it is, the 3D is a tool but that’s all. Technologically, anything that makes the user jump through one more hoop to achieve an effect is doomed to failure, even if that hoop is as simple as putting on a pair of special glasses. (The behind-the-scenes people may of course be jumping through no end of hoops – that doesn’t matter.) 3D will have arrived when viewers can comfortably snuggle down in front of the TV equivalent and watch it with exactly as little effort as they can switch the TV on now.

The CGI effects blend seamlessly with the real actors, so you can see 12-foot blue skinned humanoids and human beings travelling in a futuristic helicopter without once spotting the joins. And yet, when I think back on it everything including the humans appears in my mind’s eye as a Playstation-quality generated image. Strange.

And finally, a prayer. The marines are so obviously of the same ilk as the ones in Aliens that I could well believe this to be the same universe … and therefore, please God let no idiot studio exec decide that what the world really wants is Aliens and/or/versus Predator and/or/versus Avatars.